A Chilling Documentary Review: Unpacking a Infamous Incident Via the Lens of a Florida Cop's Body Camera

The true crime genre has a new medium, or perhaps even a completely fresh vocabulary and grammar: officer-worn camera recordings. Countenances of those harmed, witnesses and potential offenders loom up to the cameras, sometimes in the intense brightness of headlights or torches as the officers approach, their faces and voices expressing caution or panic or anger or dubiously feigned naivety. And we often catch sight of the expressions of the officers themselves, one waiting impassively while the other asks the questions with what sometimes seems like extraordinary diffidence – though maybe this is because they are aware they are being recorded.

A Growing Trend in Documentary Filmmaking

We have previously seen the streaming service true-crime documentary The Gabby Petito Case, about the killing of an social media personality by her boyfriend, whose main point of interest was officer recordings and in which, as in this film, the law enforcement seemed extraordinarily lax with the perpetrator. There is also the acclaimed short film Incident by Bill Morrison, made exclusively of officer footage. Now comes Geeta Gandbhir’s documentary about the grim case of Ajike Owens in Ocala, Florida, a African American woman whose four young kids allegedly harassed and antagonized her white neighbour, a local resident. In 2023, after an increasing number of neighbour-dispute incidents in which the police were repeatedly called, the accused fatally shot Owens through her locked door, when Owens went to the neighbor's residence to confront her about hurling items at her children.

The Police Inquiry and State Laws

The arresting officers found evidence that the suspect had done internet searches into Florida’s “stand your ground” laws, which permit householders and others to use firearms if there is a significant presumption of danger. The documentary constructs its narrative with the body cam footage captured during the multiple officer calls to the scene before the killing, and then at the horrific and chaotic incident site itself – prefaced by emergency call recordings of the caller contacting authorities in a dramatically trembling voice. There is also jail video of the individual which has a disturbing, unsettling appeal.

Depiction of the Suspect

The film does not really imply anything too complex about Lorincz, or any extenuating circumstance. She is obviously disturbed, although the kids are heard calling her “the Karen”, an hurtful taunt. The film is showcased as an illustration of how self-defense regulations generate senseless and tragic violence. But the reality of gun ownership and the second amendment (that longstanding U.S. legal right that a late commentator famously claimed made firearm fatalities a necessary cost) is not much highlighted.

Police Interrogation and Firearm Norms

It is feasible to watch the police interrogation scenes here and feel surprised at how minimal concern the officers took in this aspect. At what time did she purchase the firearm? Where (if anywhere) did she train in its use? Had she ever had occasion to fire it before? Where did she store it in the house? Could it have been easily accessible and prepared? The authorities aren’t shown asking any of these undoubtedly important questions (though they may have done in footage that were not included). Or is possessing a firearm so normal it would be like asking about kitchen appliances or toasters?

Detention and Consequences

For what appeared to her neighbors a extended period, Lorincz was not even arrested and charged, only held and even provided accommodation away from home for the night (another parallel, incidentally, with the a prior incident). And when she was finally formally arrested in the holding cell, there is an extraordinary sequence in which the individual simply declines to rise, refuses to put her wrists out for the handcuffs, not aggressively, but with the courteously pathetic demeanor of someone whose psychological state means that she is unable to comply. Had the kid-gloves treatment up until that point led her to think that this could be effective?

Conclusion and Verdict

It was not successful; and the panel's decision is saved for the end titles. A deeply sobering picture of U.S. justice and consequences.

The Perfect Neighbor is in theaters from 10 October, and on Netflix from 17 October.

Jimmy Craig
Jimmy Craig

A passionate audio engineer and music producer with over a decade of experience in studio recording and live sound.